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Project Gutenberg
Sektör: Library & information science
Number of terms: 49473
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Project Gutenberg (PG) is a volunteer effort to digitize and archive cultural works, to encourage the creation and distribution of eBooks. It was founded in 1971 by Michael S. Hart and is the oldest digital library. Most of the items in its collection are the full texts of public domain books. The ...
Founder of the Primitive Methodists, and a zealous propagator of their principles; he was a carpenter by trade, and he appears to have wrought at his trade while prosecuting his mission, which he did extensively both in Britain and America (1772-1852).
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Philologist, born in Berlin, and professor in Halle; classical textual critic; issued recensions of the Greek and Latin classics (1780-1871).
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A Huguenot divine, born at Poitou; fled to Holland on the revocation of the Edict of Nantes, settled in Berlin, and became a notability in high quarters there; attracted the notice of the young Frederick, the Great that was to be, who sought introduction to him, and the young Frederick "got good conversation out of him"; author of a "History of Manichaeism," praised by Gibbon, and of other books famous in their day, a translation of the New Testament for one (1659-1738).
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An Irish dramatist of 18th century, whose name was adopted as a nom de plume by Swift and Steele.
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An island reported of by St. Brandan as lying W. of the Canary Islands, and that figured on charts as late as 1755, in quest of which voyages of discovery were undertaken as recently as the beginning of the 18th century, up to which time it was believed to exist.
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A pretender who ingratiates himself with people above him.
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A Dutch poet, born at Flushing; his poems highly esteemed by his countrymen (1752-1821).
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A celebrated German mystic, born at Gorlitz; of an imaginatively meditative turn from boyhood as a neat-herd, and afterwards in his stall as a shoemaker; spent his whole life in meditation on divine things; saw in the Bible a revelation of these as in no other book; seemed to have eyes given him to see visions of these things himself, for which he felt he had no organ to express, and which he conveyed to others in mystical, apocalyptical speech; a thinker very fascinating to all minds of the seer class. He was subject to persecution, as all of his stamp are, by the men of the letter, and bore up with the meekness which all men of his elevation of character ever do—"quiet, gentle, and modest," as they all are to the very core, in his way of thinking; and his philosophy would seem to have anticipated the secret of Hegel, who acknowledges him as one of the fathers of German philosophy. He left writings which embody a scheme of mystical theology, setting forth the trinity in unity of the Hegelian system, that is, viewing the divine as it is in itself, as it comes out in nature, and as it returns to itself in the human soul (1575-1624).
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A painter from Florence who settled in Venice, the father and founder of the family; d. 1470.
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Bishop of Meaux, born at Dijon, surnamed the "Eagle of Meaux," of the see of which he became bishop; one of the greatest of French pulpit orators, and one of the ablest defenders of the doctrines of the Catholic Church; the great aim of his life the conversion of Protestants back to the Catholic faith; took a leading part in establishing the rights of the Gallican clergy, or rather of the Crown, as against the claims of the Pope; proved himself more a time-server than a bold, outspoken champion of the truth; conceived a violent dislike to Madame Guyon, and to Fénélon for his defence of her and her Quietists; and he is not clear of the guilt of the Revocation of the Edict of Nantes; wrote largely; his "Discourse on Universal History" is on approved lines, and the first attempt at a philosophy of history; his Funeral Orations are monuments of the most sublime eloquence; while his "Politique founded on Holy Scripture" is a defence of the divine right of kings. "Bossuet," says Professor Saintsbury, "was more of a speaker than a writer. His excellence lies in his wonderful survey and grasp of the subject, in the contagious enthusiasm and energy with which he attacks his point, and in his inexhaustible metaphors and comparisons.... Though he is always aiming at the sublime, he scarcely ever oversteps it, or falls into the bombastic or ridiculous.... The most unfortunate incident of his life was his controversy with Fénélon" (1627-1704).
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